Topics › All Forums › The Great Bootleg Forest › Unofficial Live Audio Recordings › SaveMart Center 11/29/07
| August 22, 2014 at 4:03 pm Quote #38320 | |
 single-8 (222) |
Here’s one of my favorite recordings Barry did.(you may think someone else recorded this).David Lee Roth.12.14.86 Selland Arena..I think this was one helluva lineup….heres a link single-8Quote |
| August 22, 2014 at 9:53 pm Quote #38330 | |
 mrmojohalen (6389) |
I’ll agree with that. I’ve seen many of the shows that I recorded out there, being shared on torrent sites. I really don’t need any credit or thanks. I just like to see the lowest gen’s possible in circulation. I think the collectors on this site are VERY appreciative when an upgrade of a show is made available. Guitard uses the “This Is A Fan Project…” disclaimer in all of the projects that he authors to discourage videos from being sold. With audio, you can even use the metadata to give credit to yourself (Example: Track 1 Robert X Master) + add a detailed description in the Notes or Information that you put in the folder with the FLAC tracks, etc. When you turn on your stereo, does it return the favor? mrmojohalenQuote |
| August 28, 2014 at 11:20 pm Quote #38474 | |
| mrmojohalen (6389) | Hey Rob – There was an East Coast version of yourself back in the 70′s. Dan Lampinski recorded over 100 concerts in the Providence/Boston area, mostly between 1974 and 1978. His earliest recordings were made with an internal microphone deck, and though they are somewhat lo-fi compared to his later work, some very great moments in rock history were captured for posterity. In late 1974 he bought a Sony TC-152SD tape recorder, a Sony ECM-99 stereo microphone, and began using Maxell cassettes. He was also fortunate enough to have a friend who provided excellent taping seats for many shows, resulting in high quality recordings. In 1977, he switched over to a Nakamichi 550 tape recorder, two Nakamichi CM-300 microphones, and continued using Maxell cassettes. Since Dan never traded copies of his recordings, they are all essentially uncirculated. Some copies were made for friends, but most of these recordings have ever seen the light of day, and are direct from his master cassettes. No EQ’ing has been done to any of the transfers. Feel free to EQ, matrix, patch, etc and re-post if you like, just give Dan credit for the original recording. Dan was very meticulous about taking good care of his tapes and is very pleased that these recordings will now circulate among the trading community. Please honor his kindness and generosity by sharing these recordings freely. Kev & Carl When you turn on your stereo, does it return the favor? mrmojohalenQuote |
| August 29, 2014 at 11:06 am Quote #38485 | |
| single-8 (222) | |
| August 29, 2014 at 12:30 pm Quote #38490 | |
 guitard (7354) | Five years ago, Dan Lampinski loaned all of his shows to a guy who does audio transfers and after he transferred them, they were released one every week. That went on for a couple of years. There were some amazing recordings in there, and most were really good quality. My favorite was a Tommy Bolin recording he did not too long before Tommy died. guitardQuote |
| August 29, 2014 at 10:17 pm Quote #38500 | |
| mrmojohalen (6389) | There’s another guy who goes by JEMS. Taped a ton of stuff in the 70′s & 80′s. When you turn on your stereo, does it return the favor? mrmojohalenQuote |
| August 30, 2014 at 12:53 am Quote #38504 | |
 Gilligan (1518) | I’ll second what those guys said. I don’t get much other than VH and a little ACDC, but when I do I look for Lampinski or JEMS. Excellent quality boots of bands in their prime. At least the two or three that I have. GilliganQuote |
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